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    • #3730
      Angelo
      Participant

      Hello Again….two questions…sorry for for repeating an old one:

      1) Which were the dominant choices that were “married?” I seem to remember b9 only goes with one as well as the 9 only goes with one?

      2) I seem to remember that Suds suggested an option to plying a dominant voicing. Is this the option: On the L hand, play the Root and b7, and on the right hand, play a major chord in any inversion a whole step higher than the root of the chord?
      EXAMPLE: Lets say I’m voicing a “C” note associated with a C7 chord.
      On the left hand, can I play play C and Bb / and with the Right hand play D, F#, A, and C?

      Thank you
      – Angelo

    • #3731
      Angelo
      Participant

      Never mind question 1!

      How about question 2?

      Thanks

    • #3736
      David Haynes
      Keymaster

      Angelo – You’re close. I believe you’re referring to polychords. Suds discusses them in the Advanced Resources section. His essay is classic Sudnow but if you spend a little time working through it with a piano in front of you it should make sense (intellectually and aurally).

    • #3738
      Angelo
      Participant

      Found it. Thanks!

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